The Emerald Court Shalwar Pants
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The Handwork
The Emerald Court Shalwar Pants
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Hand-Embroidered
Kadhai is embroidery worked by hand. A design is traced onto the cloth as a khaka, the cloth is stretched taut on an adda or a hoop, and a karigar works it stitch by stitch in silk, cotton and metallic zari. The needle is guided by eye and by hand, so no two pieces carry quite the same line.
The shalwar is one of South Asia's oldest silhouettes — wide through the body, gathered at the ankle, built for the heat and the sitting and the movement of a subcontinent that figured out comfort long before activewear existed. The Emerald Court Shalwar Pants are the base layer of the court — the piece beneath the jacket, the foundation the ceremonial sits on.
Constructed from silk, the shalwar pants carry hand-embroidered dabka and pearl detailing at the lower hem — the same material language as The Emerald Court Jacket, positioned at the point where the garment meets the floor. The embroidery is concentrated, precise, a finishing detail that transforms the hem from a functional edge into a statement.
Silk shalwar is a formal proposition — the fabric drapes and moves in ways that cotton and jersey cannot, catching light as you walk, holding its structure without stiffness. The dabka and pearl embroidery at the hem catches light from below, a detail that is most visible when you're seated, when someone looks down, when the piece is seen from the position of closeness.
The emerald court is dressed from head to hem. These pants close the look — completing the set with the same commitment, the same materials, the same refusal to treat any part of the garment as too minor for attention.
- Fabric
- Silk
- Care
- Dry clean only
Features
- Traditional shalwar silhouette
- Hand-embroidered dabka and pearl detailing at lower hem
- Elasticated waistband
- Coordinates with The Emerald Court Jacket
Wear it with
Black made in PAK T-shirt (V2)
$105 $73.50 USD
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$200 $140 USD
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The craft · Kadhai
کڑھائیOne stitch at a time.
The design is traced onto the cloth in chalk, stretched taut on a frame and worked by a karigar's hand in silk, cotton and zari. No two pieces carry quite the same line.
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